The three directional gestures of the hand featured in the poster are inspired by Fleming’s Right-Hand Rule, symbolizing the generation of new energy through the interaction of different forces. This motif reflects the process by which earth, fire, human senses, and technology come together to create ceramics. At the same time, it alludes to the Biennale’s three host cities—Icheon, Gwangju, and Yeoju—which together form the geographical foundation of the event.

The globe held in the hand does not suggest humanity’s dominion over the planet; rather, it represents a relationship of interconnectedness, coexistence, and collective creation between humans and the Earth. The image of the globe within the eye suggests a way of seeing ceramics not merely as crafted objects, but as a medium through which we reflect upon the planet’s deep time, the environment, human life, and the future. Finally, the rocket motif points toward the future potential of ceramics—demonstrating that this ancient material is not confined to tradition, but can expand into new realms of art, technology, and imagination.